Your selections:
Some routine atrocity, or, letting the curse of god roar: Nick Cave and apocalyptic.
Parallel, series and integrated - modes of tertiary popular music education
- Carfoot, Gavin, Millard, Brad, Bennett, Samantha, Allan, Christopher
Fabricating space: postmodern popular music performance venues on cruise ships
Appropriating classical music in popular music
Concert attendee behaviour: the influence of motivations, fan identification and product involvement
Women in popular music and the construction of "authenticity"
Songwriting as a creative system in action
Paul McCartney and His Creative Practice: The Beatles and Beyond
- McIntyre, Phillip, Thompson, Paul
Composing music: popular music since 1950
Creativity and cultural production: an interdisciplinary approach to understanding creativity through an ethnographic study of songwriting
Communication and the creation of media content: a practitioner-based enquiry study of popular music songwriting
How devoted are you?: an examination of online music fan behaviour
Exploring motivations for popular music concert attendance
Identification in popular music: a netnographic exploration of online fan communities
Dynamic music: the implications of interactive technologies on popular music making
Sound engineering in the recording studio as creative practice
- Thompson, Paul, McIntyre, Phillip
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